The collection Conservation 360º is intended to present a series of technical studies for the conservation‐restoration of cultural heritage. This title aims to accommodate a series of multidisciplinary and cross‐disciplinary books in which conservators‐restorers, conservation
scientists, art historians and professionals from related disciplines can have a broad, up‐todate and rigorous perspective on topics related to the preservation of cultural heritage, its study and documentation.
The works contained in this collection will bear the editorial seal of the UPV, ED / UPV and the one corresponding to the collection itself, under which they may identify themselves as part of it. Likewise the title of the collection, year, number, title of the number, director of the collection, authors and publisher will be identified in each number.
Editor in Chief
Laura Fuster‐López is a professor in the Department of Conservation and Restoration of Cultural Heritage at the Universidad Politécnica de Valencia (UPV, Spain). She graduated from UPV in Fine Arts (Conservation and Restoration of Cultural Heritage) in 1999. After completing several internships in the Istituto Centrale per il Restauro in Rome and the Smithsonian Center for Materials Research and Education in Washington, D.C., she received her PhD in Conservation and Restoration of Cultural Heritage in 2006. Her current research interests focus on the structural behaviour of cultural materials as well as the environmental effects on their stability and preservation. Since 2011 she has been a board member of the European Network for Conservation Restoration Education as well as assistant coordinator of the Education and Training Working Group of the International Council of Museums‐ Committee for Conservation.
Advisory Board
Vasilike ARGYROPOULOS
Dept. of Conservation Antiquities & Works of Art at the Technological Educational Institution of Athens (Greece)
Néstor BARRIO
Fundación Taller Tarea‐IIPC (Instituto de Investigaciones sobre el Patrimonio Cultural) at the Universidad San Martín (Buenos Aires, Argentina)
Anne Laurence DUPONT
Centre de Recherche sur la Conservation (CRC)‐ Muséum
National d’Histoire Naturelle (centre National de la Recherche Scientifique‐CNRS) (Paris, France)
Davide GASPAROTTO
Paintings Department at the J. Paul Getty Museum
(Los Ángeles, USA)
Marcello PICOLLO
Istituto di Física Aplicata Nello Carrara (IFAC_CNR) (Florence)
Benjamin ROUS
Netherlands Institute for Conservation Art and Science (NICAS) (Amsterdam)
Maartje STOLS WITLOX
University of Amsterdam
Anna VILA ESPUÑA
La Caixa Foundation. Contemporary Art Collection
Assistant Editor
Ana Mª GARCÍA CASTILLO
Universitat Politècnica de València (Spain)
Translators
Rita L. AMOR-GARCÍA
Independent conservator-researcher. Cons-Graf (UK)
Ruth DEL FRESNO-GUILLEM
Independent contemporary art consultant, researcher and conservator (Canada)
Annette S. ORTIZ-MIRANDA
Researcher / Conservation scientist. Centre for Art Technological Studies and Conservation (CATS) Statens Museum for Kunst (Denmark)